My latest article for the Crawlspace was a piece on the four types of Spider-Man artists: Dynamic, Street-Level, Ditkoesque, and Weird
DYNAMIC
I’d almost say this is the standard superhero art format. The people whose adventures are depicted are generally handsome and attractive, while the fight scenes are usually bright and intense. John Romita Sr, Mike Wieringo and Mark Bagley would belong in this camp. They draw Spider-Man as a science hero, doing amazing things while fighting individuals with visually impressive abilities.
You could imagine the dynamic artist doing very well on a standard Superman book. Case in point: Ross Andru’s work in the Superman/ Spider-Man crossover.
STREET-LEVEL
The second kind of Spider-Man artist is Street-Level. These are the guys who seem to be a better fit for drawing Batman than Superman. There’s a more down-to-earth quality, even in the superhero slugfests, and a disproportionately high number of scenes are set at night with characters obscured by shadows.
The bad guys are often going to be the types who can exist in the real world: mafia goons, carjackers, crazed gunmen with ski masks and shotguns, etc. The artwork could often be just as powerful in black and white. 21st Century John Romita Jr. and Lee Weeks would fit in this group of pencillers.
What Would Spidey Do? 