Three-Act Structure 2.4: The Moment of Defeat

The Act Two turning point is what Aristotle described in On Poetics as the peripety, the moment when the hero learns how bad things truly are. Their resolve is truly tested, and usually found wanting. It is when Oedipus realizes that he is the king killer he has been looking for.

In the usual three-act structure story, this is the moment when it appears that all is lost. It usually comes about three-quarters of the way through the film. It’s when Bruce Wayne is knocked unconscious as his mansion burns in Batman Begins, when Tony Stark struggles to survive after the theft of his artificial heart in Iron Man, the best friends are no longer speaking to one another in The Wedding Crashers, Hannibal Lechter escapes prison in Silence of the Lambs and the only inmate who can prove Andy’s innocence dies in The Shawshank Redemption. This is when it seems like the hero is beaten and that the movie is about five minutes from ending with the villain triumphant.

There is usually a glimmer of hope at the very beginning of the third act. If that comes in the same scene in which the protagonist came to the conclusion that all was doomed, it could to be difficult to figure out whether particular moments are from the end of the second act, or the beginning of the third act.

This was a slight problem when I was trying to determine the structure of Names Engraved in Marble, an Estonian war film. There was a scene before the final act in which the main characters were badly outnumbered, facing a rival army, and resigning themselves to the probability that the remainder of their lives could be measured in minutes.  And then the cavalry literally came to their rescue. Whether the rescue occurred at the end of the second act, or the beginning of the third act is ultimately a distinction without any meaning, as there was still a moment of ruin roughly three-quarters of the way through the film.

In rare cases, the Act Two climax will be triumphant. This is especially possible if the film is going to end on a down note. So Bonnie may realize that she wants family and stability, Isla confesses that she still loves Rick, Harry Potter may get a reward at the Triwizard tournament, and the squad in Full Metal Jacket may achieve a military success. H/T Sciptlab

Advertisements

About Thomas Mets

I’m a comic book fan, wannabe writer, politics buff and New Yorker. I don’t actually follow baseball. In the Estonian language, “Mets” simply means forest, or lousy sports team. Currently, I’m writing a few comic books about my grandparents’ experiences in Soviet Estonia for Grayhaven comics. You can email me at mistermets@gmail.com
This entry was posted in Criticism, Eesti, Film, Marvel Comics, Writing and tagged , . Bookmark the permalink.

One Response to Three-Act Structure 2.4: The Moment of Defeat

  1. Rocket says:

    Why the third act is important is explained at http://www.clickok.co.uk/issues.html#Q41b

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s